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Pilgrimage to Pureland

Art, Perception and the Wutai Mural VR Reconstruction

Introduction

Our project, 'Pilgrimage To Pureland,' involved creating a virtual reality (VR) reconstruction of the Dunhuang murals, focusing on the Mt. Wutai pilgrimage mural in Mogao Grottoes' Cave 61. This VR experience is designed to make cultural heritage more accessible and engaging. Our approach converts complex 2D murals into immersive 3D VR content, retaining the original art's essence. This interactive VR environment provides a narrative-driven experience, allowing users to appreciate the murals' religious, historical, and artistic value deeply.

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A user study with 30 participants was conducted to assess the effectiveness of our VR reconstruction method. This study compared the VR experience with other virtual access forms, focusing on immersion and knowledge acquisition. The findings indicated that the VR group reported a significantly higher level of immersion and a better understanding of the content. In summary, our 2D-to-VR methods offer an innovative way to experience cultural heritage, enhancing user understanding of cultural and historical concepts while preserving the originality of the artworks.

Experience Design

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Our design and research objectives in creating the 'Pilgrimage To Pureland' VR experience are twofold: (1) to offer an engaging VR experience enhancing understanding of the Dunhuang mural artworks, and (2) to facilitate awareness of the mural's complexity through interactive VR narratives. We adhered to user-centered design principles, focusing on:

● Reconstructing VR environments that preserve the original Mt. Wutai murals in Dunhuang's Cave No. 61, helping users comprehend the iconography.

● Crafting interactive narratives mirroring the mural's content.

The Mt. Wutai mural, rich in historical and cultural significance, served as our narrative foundation. We integrated knowledge exposition into interactive tasks, guiding users through conversations and VR interactions. This method layers knowledge delivery, deepening user understanding. Additionally, we implemented a navigation system allowing free exploration while tracking task completion, ensuring knowledge retention.

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Conclusions

Our VR experience design remarkably enhances cultural heritage awareness and understanding. Narrative design in VR, tailored to non-specialist audiences, improves the acceptability of intricate artworks like the Dunhuang murals. This approach involves adapting plots and incorporating gamified experiences, enabling users to engage with complex historical, religious, and artistic themes. The transition from 2D to VR involves a mixed-methods approach, reconstructing environmental elements into accurate 3D models and creating interactive 2D character animations, faithful to the original artworks. This method ensures authenticity without unnecessary alteration of traditional art forms.

Publication

"Pilgrimage to Pureland: Art, Perception and the Wutai Mural VR Reconstruction"

Mu, R., Nie, Y., Cao, K., You, R., Wei, Y., & Tong, X. (2024).

The Team

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Ruoxuan Mu

Research Assistant

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Yuhe Nie

Research Assistant

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Ruoxin You

Research Assistant

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Kent Cao

Co-PI

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Yinzong Wei

Research Collaborator

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Xin Tong

Project director: Dr. Xin Tong (PI)

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